Literary interdisciplinary research
sanaz khoshhesab; moosa parnian; soussan jabri
Abstract
Introduction
Nowadays, literary sociology theory, as an appropriate mechanism for recognition and social and cultural analysis, has been considered by literary scholars. Among the many works, stories are more inclusive of various social issues that can be studied more deeply than the writer's community. ...
Read More
Introduction
Nowadays, literary sociology theory, as an appropriate mechanism for recognition and social and cultural analysis, has been considered by literary scholars. Among the many works, stories are more inclusive of various social issues that can be studied more deeply than the writer's community. In the meantime, the titles of the stories as the first sign that the reader is encountered, reveal the secrets of the quality and content of the work, the thoughts and feelings of the author, and especially the environmental conditions of the creation of the work. Hence, the titles of the works represent both emotional, social, historical, indigenous and climatic situations and in a wider range of metaphors, metaphors, metaphors, allegories and compositions or symbolic phrases that convey their creator's feelings, thoughts and beliefs to the audience.
The question of this research is that what the social conditions surrounding the creation of the work have had in the title of contemporary stories from 1941 to 1978?
In this research, we have analyzed the titles of Persian stories from 1953 to 1978. The research method is a descriptive analysis which is done as a library method.
Review
Much has been said about contemporary fiction and the examination of various aspects of its long and short stories. Sometimes the works of a storyteller and sometimes periodically or stylistically examine.
In general, there has not been an independent research on the topic of "title" of Persian stories from 1953 to 1978 with a sociological approach.
Conclusion
In reviewing about 1200 of the titles of stories written in the years (1953-1978), we find that bitter streaks of despair, tyranny and repression of the coup of August 1953 (1953-1963) are seen in the story plans of post-coup years. In the second period (1963-1978), reactions to the sudden arrival of modernity and its influence on the social structure of traditional Iran are evident. The findings showed that the titles of the stories were influenced by the social conditions of the creation of the work following the plotting of the story in these two historical periods.
soussan jabri
Abstract
This study does an archetypal reading of Ghesehaye Irani and examines the process of individuation and how things that form the process happen. The question is how in such a process the hero gets rejoining with anima and animus. Analyzing the content of the Ghesehaye Irani text, first we found the manifestation ...
Read More
This study does an archetypal reading of Ghesehaye Irani and examines the process of individuation and how things that form the process happen. The question is how in such a process the hero gets rejoining with anima and animus. Analyzing the content of the Ghesehaye Irani text, first we found the manifestation of archetypes, and then the two-stage nature of the process of individuation - which falls into two categories of Wisdom-driven and power-driven - became known. Findings show that there are complicated links between the hero’s ego, or the conscious part, and unconscious parts such as anima, animus, the wise old man, and the shadow. The shadow is of the same nature as the hero, and the unknown, repressed, and challenging part of the psyche. Things that happen in the process of individuation are based on challenges caused by the shadow for the hero. The tales with their bipartite and sometimes epizod structure go through two stages. In the first stage, the hero’s effort to join with anima or animus. This symbolizes socialization of the individual in the first half of life. In other stage of rejoining, the hero’s join to anima and animus runs up against problems, and to get rejoining with them, he has to have a decisive battle against the shadow. At this point, there are female and male narratives of the realization of individuality. In the female Wisdom-driven narrative, the hero triumphs over the shadow with the guidance and assistance of the wise old man, and gets rejoining with animus, often forgiving and accepting the shadow after he has defeated it. In the male power-driven narrative, the hero still has the guidance and assistance of the wise old man, yet, relying on his power in a head-to-head battle, overcomes the shadow and often kills or drives it away.
soussan jabri; Shaghayegh Kahrizi
Abstract
Why the language of ancient Sufi texts has such a remarkable persuasion power. For example, why does the Sufi’s interpretation of Meibodi, have such a lasting impact on its audience? In this study, we investigated the messages of Sufi’s interpretation, by applying the theory of persuasive ...
Read More
Why the language of ancient Sufi texts has such a remarkable persuasion power. For example, why does the Sufi’s interpretation of Meibodi, have such a lasting impact on its audience? In this study, we investigated the messages of Sufi’s interpretation, by applying the theory of persuasive communication of Atollar Binger's social psychology and analysis content. The findings indicate the existence of a five-fold scheme in of Atollar Binger's theory. Principle One: The Meibody Response Stimulus Plan first puts forward its idea. Then, by affirming the verses, hadiths, traditions, sayings of the elders of religion and the Sufi elders, they associate it with the past teachings and values of the audience. Principle Two: Reasonableness and Fairness. Principle Three: Expressing the needs of the audience. Principle Four: Incorporate group norms and social interests of audiences such as the need to accept others, the need to internalize human values, the need to be respected, the need to belong to the group, the need to protect human rights. Principle 5: Messages are formed according to the personality characteristics of the audience - their - urban middle class. Therefore, the creative application of persuasive methods has the potential to influence audiences. Because empathy makes the message pleasing to the audience. As a result, responding to the immortal, timeless and impotent individual and collective needs of humans has resulted in the mystical Sufi messages of such influential persuasive power to this day.
